Search

Stay or go? Most older Australians want to retire where they are, but renters don’t always get a choice

<a href="https://theconversation.com/profiles/christopher-phelps-378137">Christopher Phelps</a>, <a href="https://theconversation.com/institutions/curtin-university-873">Curtin University</a>; <a href="https://theconversation.com/profiles/rachel-ong-viforj-113482">Rachel Ong ViforJ</a>, <a href="https://theconversation.com/institutions/curtin-university-873">Curtin University</a>, and <a href="https://theconversation.com/profiles/william-clark-1488932">William Clark</a>, <a href="https://theconversation.com/institutions/university-of-california-los-angeles-1301">University of California, Los Angeles</a> As Australia’s population gets older, more people are confronted with a choice: retire where they are or seek new horizons elsewhere. Choosing to grow old in your existing home or neighbourhood is known as “ageing in place”. It enables older people to stay connected to their community and maintain familiarity with their surroundings. For many, the decision to “age in place” will be tied to their connection to the family home. But for many, secure and affordable housing is increasingly <a href="https://theconversation.com/ageing-in-a-housing-crisis-growing-numbers-of-older-australians-are-facing-a-bleak-future-209237">beyond reach</a>. This choice may then be impeded by a lack of suitable accommodation in their current or desired neighbourhoods. Our recently published <a href="https://doi.org/10.1177/01640275231209683">study</a> asks what motivates older homeowners and renters to age in place or relocate, and what factors disrupt these preferences. It suggests older renters are often not given a fair choice. <h2>Most older Australians want to age in place</h2> Having the option to age in place enables older people to retain autonomy over their lifestyles and identity, promoting emotional wellbeing. Using 20 years of data from the government-funded Household, Income and Labour Dynamics in Australia (HILDA) survey, we tracked the preferences of Australians aged 55 and over. Encouragingly, most older Australians are already where they want to be. Two-thirds (67%) of respondents strongly preferred to stay in their current neighbourhood, and an additional one-fifth (19%) had a moderate preference to stay. Only 6% showed a moderate or strong desire to leave. Ageing in place is then the natural choice for a vast majority of older Australians. <iframe id="s3LTM" class="tc-infographic-datawrapper" style="border: none;" src="https://datawrapper.dwcdn.net/s3LTM/1/" width="100%" height="400px" frameborder="0"></iframe> Our study highlights several motivations for people to stay put as they retire. For homeowners, family ties matter. Owners with children residing nearby were around one and a half times more likely to have a higher preference to stay. Older owners might then have a reason to call on their substantial <a href="https://theconversation.com/the-housing-wealth-gap-between-older-and-younger-australians-has-widened-alarmingly-in-the-past-30-years-heres-why-197027">housing wealth</a> and keep their children nearby via the <a href="https://360info.org/how-to-help-the-young-buy-a-home/">“bank of mum and dad”</a>. For renters, how long they stay is important. Those renting their home for 10 years or more were 1.7 times more likely to have a higher preference to stay than short-term renters. <h2>Renters face the most disruption</h2> The survey enabled us to follow where older people lived a year after they provided their preferences. This helped us gauge how often they turned their desires into reality. The chart below indicates that private renters face greater obstacles to ageing in place. Around one in 10 private renters that desired to age in place were disrupted – they wanted to stay in their neighbourhood but didn’t. This suggests they moved out of their neighbourhood involuntarily. Only 2% of homeowners and social renters experienced the same disruption. However, for those in these tenures that did not desire to age in place, involuntary immobility was a greater concern. Only 15% of those that wanted to leave succeeded, leaving the vast majority “stuck in place”. <iframe id="IlliV" class="tc-infographic-datawrapper" style="border: none;" src="https://datawrapper.dwcdn.net/IlliV/1/" width="100%" height="400px" frameborder="0"></iframe> The private rental market is the least secure of tenures, and so private tenants are often exposed to involuntary moves. Australia’s private rental system is lightly regulated compared to many other countries, creating tenure insecurity concerns. On the other hand, social renters were particularly susceptible to involuntary immobility. Social housing is scarce in Australia and subject to <a href="https://theconversation.com/its-soul-destroying-how-people-on-a-housing-wait-list-of-175-000-describe-their-years-of-waiting-210705">lengthy waiting lists</a>. A neighbourhood move often requires transferring to the less affordable and less secure private rental housing. Even after considering financial status, social renters were four times as likely to be stuck as compared to private renters. Social tenants are strongly deterred from moving in the current system. <h2>How can we support older Australians’ preferences?</h2> Our study exposes some barriers in the housing system that hinder people from being able to age in place, or move when they want to. Clearly, older renters enjoy fewer protections against disruptions to their preferences to age in place than older owners. For private renters, tenure insecurity in the <a href="https://theconversation.com/insecure-renting-ages-you-faster-than-owning-a-home-unemployment-or-obesity-better-housing-policy-can-change-this-216364">private rental sector</a> is a key reform priority. This can be achieved through stronger regulation that improves tenants’ rights. For example, more states could adopt <a href="https://theconversation.com/how-5-key-tenancy-reforms-are-affecting-renters-and-landlords-around-australia-187779?utm_source=twitter&utm_medium=bylinetwitterbutton">recent regulatory rental reforms</a> that support the rights of pet owners and protect against no-grounds evictions. Large numbers of older private renters also face severe <a href="https://www.oldertenants.org.au/publications/ageing-in-a-housing-crisis-older-peoples-housing-insecurity-homelessness-in-australia">rental stress</a>, which may force them to move from their preferred neighbourhood. <a href="https://theconversation.com/1-billion-per-year-or-less-could-halve-rental-housing-stress-146397">Commonwealth rent assistance reform</a> would alleviate some of this stress through an increase in rates and better targeting. An increase in the supply of social housing would play an important role in improving both tenure security and housing affordability. Older social renters enjoy fewer obstacles to ageing in place than older private renters. However, if social renters want to move into the private rental market to relocate, they face difficulty securing accommodation. This will likely discourage moves as it would require sacrificing the tenure security offered by social housing. However, policy initiatives that improve the <a href="https://www.ahuri.edu.au/sites/default/files/migration/documents/PES-358-Lessons-from-public-housing-urban-renewal-evaluation.pdf">quality of the public housing stock</a> can reduce feelings of being stuck. As <a href="https://www.aihw.gov.au/reports/australias-welfare/home-ownership-and-housing-tenure">homeownership rates decline</a> both among young people and those nearing retirement, we can expect the population of older renters to grow. Overall, our findings support a strong case for policy reform in the rental sectors to address the needs and preferences of older renters.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/218024/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/christopher-phelps-378137">Christopher Phelps</a>, Research Fellow, School of Accounting, Economics and Finance, <a href="https://theconversation.com/institutions/curtin-university-873">Curtin University</a>; <a href="https://theconversation.com/profiles/rachel-ong-viforj-113482">Rachel Ong ViforJ</a>, ARC Future Fellow & Professor of Economics, <a href="https://theconversation.com/institutions/curtin-university-873">Curtin University</a>, and <a href="https://theconversation.com/profiles/william-clark-1488932">William Clark</a>, Research Professor of Geography, <a href="https://theconversation.com/institutions/university-of-california-los-angeles-1301">University of California, Los Angeles</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/stay-or-go-most-older-australians-want-to-retire-where-they-are-but-renters-dont-always-get-a-choice-218024">original article</a>.

Retirement Income

Why we need to stop being so judgemental – and the 4 steps to do it

As a society, we've become increasingly judgmental. We tend to judge not only others but ourselves as well. From a person's physical appearance to their actions, we criticise and judge everything. Everyone is too fat, too thin, too old, or too young, creating an environment where nothing seems to be good enough. This constant pattern of judgment is now harming our mental, emotional, and physical well-being. When we judge, we compare ourselves to others, leaving us emotionally vulnerable. Through this judgement, we seek to establish a sense of security and control over our lives and surroundings, often without even realising it. However, by increasing our emotional resilience and sense of control, we become consciously aware of this behaviour and can take steps to change it. So, is it possible to become less judgemental? As an educator and researcher, I developed an Emotional Resilience language (ER). It introduces simple changes that can reduce judgment, foster empathy, compassion, and personal responsibility, and bolster emotional intelligence and resilience when integrated into everyday life. Using a driving metaphor, ER simplifies the intricate world of emotions, providing an innovative way to integrate emotional vocabulary into daily life. It enhances understanding and establishes new neural pathways and healthier thought patterns. The following outlines the initial steps of ER, which can effectively manage judgement towards yourself and others. Though the changes may appear simplistic, they are instrumental in establishing lasting transformation. 1. Removing judgement towards how you or others may feel: Instead of labelling emotions as good or bad, view them as rough or smooth emotional roads. Just as roads serve different purposes, so do emotions. Rough emotions build resilience, while smooth emotions promote well-being, removing the need to lift everyone off a rough road. This makes it easier to recognise and accept emotions without feeling like a failure when things aren't going smoothly. You don’t know why someone is on a rough road, so resist the temptation to judge them. 2: The metaphorical steering wheel in ER represents emotional control and the power of choice in navigating life's challenges. As in a car, you should be the only one controlling your emotional steering wheel. Rather than judging yourself and others, this logical approach empowers you to regain control over your focus, emotions, and destination. Just because someone else is on a rough road doesn’t mean you must join them, fostering resilience and responsibility. 3. Shifting judgement and blame to responsibility involves removing phrases such as "You are making me angry, " which inadvertently hands your emotional steering wheel to others. Replace it with, "I am choosing to feel angry in response to this situation." This subtle alteration, substituting "making" with "choosing," helps reclaim ownership of your steering wheel rather than relinquishing control to external factors. Assigning blame—"It's your fault, it's the government's fault, it's my partner’s fault"— leaves you feeling like a victim, and you then resort to judgement and retaliation to regain control. 4. The importance of taking control: Understanding that judgement cannot be contained nor emotional resilience built when you are out of control on either road is crucial. Out-of-control scenarios activate the amygdala, the brain's fight, flight or freeze mode, disabling the prefrontal cortex, which is responsible for thinking and creativity. It is only possible to discuss a situation once the involved parties have regained control and can access the thinking part of their brain. Therefore, regaining control is essential for reducing judgement, as then you can have productive discussions that help maintain emotional well-being. This includes your conversations with yourself, which can often be the harshest! ER helps reduce judgement by developing your emotional resilience. Awareness of the emotional state of yourself and others fosters emotional intelligence, while learning to regain control builds resilience. Recognising that navigating rough emotions is crucial for growth alleviates the pressure from always needing to be on a smooth road and judging yourself and others if they aren’t. It shifts focus from dwelling on challenges and comparing yourself to others to being able to understand and manage your responses. Incorporating language changes into daily life builds new neural pathways, creating new thought patterns that reduce judgment and blame. By avoiding the tendency to judge yourself or others, you take back control of your reactions to people and circumstances. This leads to better mental and emotional well-being and fosters positive relationships with yourself and others. Does this mean you will never judge again? Of course not. You’re human. It’s what you do with the judgment that can make all the difference. Dr Jane Foster is a leading educator, researcher, presenter and author of It’s In Your Hands; Your Steering Wheel, Your Choice. Combining her educational skills with neuroscience and positive psychology, Jane equips people with strategies to help build emotional resilience and manage their daily stresses, successfully changing perspective and creating new neural pathways. For more information, visit <a href="https://www.emotionalresiliencetraining.com.au/" target="_blank" rel="noopener">www.emotionalresiliencetraining.com.au</a> Image: Getty

Mind

Debate erupts over groom's unconventional footwear choice

In what seems to be a picture perfect wedding, eagle-eyed social media users spotted one odd detail. The couple were snapped standing at the altar, and while everything else about their outfit seemed flawless, one Reddit user called the groom out for wearing black Crocs and black socks to his wedding. “Imagine you get ready for three hours and your groom shows up in Crocs,” the user said. “Crocs would be a legit reason to say no at the altar,” another wrote, before adding: “Crocs are a valid reason to not date someone. They are horrible.” “He’s wearing a suit, maybe he has a problem with his feet that he can’t wear proper footwear,” a third commented “Surely no one, no matter how casual in style, voluntarily leaves the house in Crocs?” However many other social media users were quick to defend the wedding faux pas, with some saying that they wish they had done the same thing at their own weeding. “He probably has an injured foot or broken toe. He’s perfectly groomed (a pun) otherwise and obviously tried to camouflage his socks and crocs with his attire," one sympathised. “Ya I have really severe diabetic neuropathy in my feet, especially my toes. Doctor actually suggested Crocs as they have extra space and don’t restrict movement," another added. “I wore flip flops under my dress. I hate heels with a passion,” a third wrote. "He's wearing a nice suit, matching dark socks so I'm not seeing an issue here as he probably has some kind of foot or back injury or pain. If I were marrying him this wouldn't bother me," added a fourth. “Let the man get married in something comfortable. My wife could have shown up in a potato sack barefoot for all I cared, she is there to marry me, not for a fashion show," a fifth defended. Image: Reddit

Relationships

Lip reader provides evidence against Bruce Lehrmann

A lip-reading expert has provided key evidence in Bruce Lehrmann's defamation trial against Network Ten, revealing what he believes was said between Lehrmann and Brittany Higgins on the night of the alleged rape. British lip reader Tim Reedy, a forensic lip reader who has previously worked for The Sunday Times to translate video of Royals speaking at funerals and weddings, has been grilled after deciphering what was said between the pair at a pub in Canberra. Reedy, who became profoundly deaf as a child, claimed that Bruce Lehrmann told Brittany Higgins that several drinks on a table on the night of her alleged rape were “all hers, all hers”. He explained he was “very certain that this is what was said” and the phrases were “more than 50 per cent” accurate. Mr Lehrmann’s barrister Steve Whybrow posed a series of questions over his claim that his client had said “Drink that all now”, and that Ms Higgins had said “I don’t want to”. “What I wanted to ask you, consistent with what you say in your appendix about how you go about lip reading, you took into account the context, which included your assessment that the man was plying her with drinks, is that correct?” Mr Whybrow asked. Reedy stood by his assessment, sharing that he he had watched the video intently over a three-day period, saying he was able to use Apple technology to “fine tune” the images and had “the luxury” of going back and watching the footage repeatedly. At the conclusion of Mr Reedy’s evidence, Mr Lehrmann’s barrister Steve Whybrow argued it should not be admitted as evidence. Justice Lee disagreed with Mr Whybrow, saying: “I accept that lip reading is not perfect, but the guide for the admissibility of expert evidence is not a council of perfection. One has to take areas of specialised knowledge as one finds them.” “I do not think I should exclude the evidence. But the matters raised by Mr Whybrow are best seen through the prism of the ultimate weight to be given to the material. Accordingly I accept the tender of the material.” In the opening days of the trial, Network Ten barrister Matt Collins KC flagged flagged the lip reader's evidence, as he put to Mr Lehrmann some of the lip-reader's claims during cross examination. “You said to her ‘Drink that all now’, Dr Collins suggested. “I would just completely disagree with that,’’ Mr Lehrmann replied. “She responded, ‘I don’t want to’?” Collins asked. “I don’t recall that ever taking place, no,’’ Mr Lehrmann said. “You were encouraging Ms Higgins to get drunk,” Ten’s barrister Matthew Collins KC said during cross-examination. “No,” Lehrmann replied. Image credits: 7 Spotlight / Getty Images <div class="media image side-by-side" style="caret-color: #000000; color: #000000; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; box-sizing: inherit; margin-bottom: 24px; display: flex; flex-direction: column; align-items: center; width: 705.202209px; max-width: 100%;"> </div>

Legal

Beloved Aussie news reader dies aged 98

Australian broadcasting veteran Arthur Wyndham has passed away aged 98. The media icon who was a program director and newsreader for ABC, among other achievements, died on October 6 according to his obituary published in the <a href="https://www.smh.com.au/national/veteran-of-australian-broadcasting-from-the-pre-television-era-20231207-p5epuu.html" target="_blank" rel="noopener">Sydney Morning Herald</a>. He was one of the last veterans of Australian broadcasting from the pre-television era, with a career that started in 1947. His daughter Susan Wyndham penned the obituary which read: “Arthur died in Sydney on October 6 at the age of 98. "He was one of the last veterans of Australian broadcasting from the pre-television era, as well as a pioneer in television in the 1950s, and an innovator who oversaw the introduction of the youth station 2JJ (now Triple J) with funding from the Whitlam government.” Wyndham was part of the launch of ABC TV in 1956, and also covered the Melbourne Olympics that same year. As TV was rolled out across the country, he became acting program director for each state, and achieved many firsts including first cricket telecast, football match, and orchestral concert from the Sydney Town Hall. He retired from the ABC in 1985, but continued broadcasting. Former colleagues from 2JJ have paid tribute to the media icon, describing him as “a cool dude," who was an open-minded and supportive boss. Actor Lex Marinos, who was a presenter at 2JJ said: “He unfailingly had a sparkle in his eye and a witty observation, and he always showed an interest in what I was doing.” Wyndham's daughter, Susan also paid tribute to her dad in an Instagram post. "Farewell to my dear dad, Arthur Wyndham, who died last Friday at the grand old age of 98. He had a full, interesting life as a broadcaster, traveller, father of three, grandfather of six, friend and colleague of many around the world. Love, gratitude and admiration always," she wrote, not long after his passing. Wyndham is survived by his three daughters and six grandchildren. Images: Instagram

Caring

Surprise choice for Time's 2023 Person of the Year

Hold onto your hats, folks: Taylor Swift has been crowned Time magazine's Person of the Year for 2023, leaving the world collectively scratching its head and asking, "Did we miss the memo that we're living in Taylor's world now?" Traditionally reserved for influential political figures or those who've left an indelible mark on the global stage – you know, like Russian President Vladimir Putin, King Charles III, Barbie – this time the Person of the Year honour has been bestowed upon a pop sensation who can make you both weep and dance in the span of a three-minute song. In a statement that surely made a few historians raise an eyebrow, Time's editor-in-chief, Sam Jacobs, explained, "In a divided world, where too many institutions are failing, Taylor Swift found a way to transcend borders and be a source of light." Because when we think of bridging divides and bringing people together, we immediately think of "Shake It Off" and "Love Story". <blockquote class="twitter-tweet"> Time Magazine: We’d like to name you Person of the Yea- Me: Can I bring my cat. <a href="https://t.co/SOhkYKSTwG">https://t.co/SOhkYKSTwG</a> — Taylor Swift (@taylorswift13) <a href="https://twitter.com/taylorswift13/status/1732406430857093501?ref_src=twsrc%5Etfw">December 6, 2023</a></blockquote> While past Persons of the Year have included world leaders and political heavyweights, Swift's victory signals a definite paradigm shift. Apparently, in 2023, the ability to make millions of people sing along to your breakup anthems and inspire an army of fans to don cat ears for Halloween is a more valuable global contribution than, say, Ukrainian President Volodymyr Zelenskyy being honoured for his courage in resisting Russia's invasion. In 2023, it seems we've collectively decided that what the world really needs is more "Bad Blood" and less, well, actual bad blood between nations. Chinese President Xi Jinping and Hollywood strikers also found themselves on the shortlist, along with Barbie, who apparently had a banner year as the highest-grossing film of 2023. Forget geopolitics; it's all about the dollars and sense. Swift also triumphed over King Charles III, Federal Reserve chairman Jerome Powell, and even OpenAI CEO Sam Altman. Apparently, even the promise of artificial intelligence couldn't outshine the real magic of Taylor Swift. In the end, T-Swift's ability to sell out stadiums and break box office records with her concert movie proved that in a world full of political turmoil and global challenges, what we really need is a good sing-along. Images: Twitter / X

Books

Readers respond: What is your go-to movie when you need a good cry?

There's an abundance of movies out there, but not many that can bring you to tears. While The Notebook and Beaches are clearly the fan favourites for our readers, here are a few other recommendations that you can watch this holiday season. Get those tissues ready! Carol Wardley - Its a wonderful life Watch the trailer <a href="https://www.youtube.com/watch?v=iLR3gZrU2Xo" target="_blank" rel="noopener">here</a>, and stream the movie on Stan. Denyse Galle - Me Before You and A Walk to Remember Watch the trailer for <a href="https://www.youtube.com/watch?v=Eh993__rOxA" target="_blank" rel="noopener">Me Before you</a> and stream it on YouTube, Apple TV or Amazon Prime Video. Watch the trailer for <a href="https://www.youtube.com/watch?v=k3B2XBcp7vA" target="_blank" rel="noopener">A Walk to Remember</a> and stream it on Apple TV or Amazon Prime Video Kerrie Anne - The Remains of the Day Watch the trailer <a href="https://www.youtube.com/watch?v=jALmEb72beg" target="_blank" rel="noopener">here</a> and stream it on Netflix. Ken Smyth - Dancer in the Dark. That ending... Watch the trailer <a href="https://www.youtube.com/watch?v=53vr9EiOH7g" target="_blank" rel="noopener">here</a> and stream it on Apple TV. Michael Kopp - Bambi Watch the trailer <a href="https://www.youtube.com/watch?v=yDGv4GIR7A4" target="_blank" rel="noopener">here</a> and stream it on Disney+. Anne Connolly Finnegan - The Bridges of Madison county Watch the trailer <a href="https://www.youtube.com/watch?v=Up-oN4NtvbM" target="_blank" rel="noopener">here</a> and stream it on YouTube. Leone Mitchell - Love Story with Ryan O’Neal and Allie MacGraw beautiful Watch the trailer <a href="https://www.youtube.com/watch?v=mYhS8q66L38" target="_blank" rel="noopener">here</a> and stream it on Foxtel Go, Binge or YouTube Julie B - The Colour Purple Watch the trailer <a href="https://www.youtube.com/watch?v=yFMCW5-jdqM" target="_blank" rel="noopener">here</a> and stream it on Netflix. Are there any other movies that make you cry? Let us know. Image: Getty

Movies

Readers Respond: What's a book you love that most people have never heard of?

Looking for a new book to kickstart your year? Look no further we've got you covered. Here are a few of our reader's book recommendations that you may not have heard of. Ruth Fontaine - I’m reading We of the Never Never atm. Not sure if it’s still well known. I’ve read it before but awhile back and love it. I love reading how they lived nearly 120 years ago. Elaine Rosenberg - The Abbey Girls Series by Elsie J Oxenham. Maryika Welter - The courage to be disliked. ... Furmitake Kogan, Ichiro Kishimi. Janice Stewart - A Fortunate Life by Albert Facey Suzanne Midson - On Our Selection by Steele Rudd. Read it when I was about 10/12. Best laugh ever. Australian humour at its best. Julie Anderson - Episode of Sparrows by Rumor Goddin Nancie Golsby - The Half Burned Tree by Dympna Cusack June Maynard - Sahara, by Paula Constant. Preceded by Slow Journey South. A thrilling, actual account of her adventure. Peter Rayner - Enforcer by Caesar Campbell Meg Milton - I Heard the Owl Call My Name by Margaret Craven Edie Dore - The Curious Incident of the Dog in the Night-time by Mark Haddon. Christine Cornforth - A Grief Observed by CS Lewis. Wendy Oliver - The Good Earth by Pearl Buck Do you have any other recommendations that we might have missed? Image: Getty

Books

Surprise choice for "Word of the Year"

The Oxford University Press has named its word of the year, and the results are not what you expect. From "Swiftie" (an evid Taylor Swift fan), "situationship" (an informal romantic or sexual relationship) and "prompt" (an instruction given to an AI program), it's clear that this year's line up was heavily influenced by Gen Z. This year's winner truly speaks volumes about the impact of the younger generation, after results from a public vote reveal that "Rizz" is the word of the year. Rizz is believed to come from the middle of the word charisma, and it is often used to describe someone's ability to attract or seduce someone else. The publishers of the Oxford English Dictionary also said that it can be used as a verb as in to "rizz up" which means to attract or chat someone up. "It speaks to how younger generations create spaces — online or in person — where they own and define the language they use," the publisher said. "From activism to dating and wider culture, as Gen Z comes to have more impact on society, differences in perspectives and lifestyle play out in language, too." In a news release, Oxford Languages President Casper Grathwohl said: "Rizz is a term that has boomed on social media, and speaks to how language that enjoys intense popularity and currency within particular social communities — and even in some cases lose their popularity and become passé — can bleed into the mainstream." One of the first instances of a celebrity using it, was when earlier this year Spiderman star Tom Holland said that he had "no rizz whatsoever", during an interview with BuzzFeed. "I have limited rizz," he said at the time, joking about his relationship with co-star Zendaya. Rizz was one of eight words that made it to the shortlist, which included a few other words like: “beige flag”, “parasocial”, “heat dome” and “de-influencing”. Rizz is heavily used online with the hashtag racking up billions of views on TikTok. Image: Getty

Books

Explore. Dream. Discover: An Over60 Reader's epic journey

Many people travel to all corners of the earth, seeking new and exciting experiences, especially when we retire and are able to do so. Sometimes we can be pushed beyond the boundaries of our comfort zone but usually the experience is positive and often transformational. One popular destination for travellers who enjoy adventure is Sedona in Arizona, a town that nestles in a desert on the edge of red rock canyons. Nearby is Hopiland, home to the Hopi Indians. One of my most treasured memories occurred in this part of the world in 1990, on top of a desert mountain known as a mesa. The mesa rose thousands of feet above ground level and I climbed up there with a group of friends from Australia. As we reached the top, we began to hear the sound of drums and chanting coming from an underground cave. Our travel guide informed us that inside the cave, Hopi women and children huddled together on the dirt floor to watch their menfolk perform legendary rituals honouring their ancient ancestors. Since the ceremony was forbidden to tourists, we were given an hour to explore the top of the mesa. Moving a short distance away from the rest of the group, I sat down on a rock to fully absorb the nearby pulse of drums and chanting. A few minutes later, three young Hopi boys appeared and attempted to converse with me. Initially, I found it difficult to understand what they were saying until I realised they were actually inviting me to accompany them underground to join their tribal family. Throwing caution to the wind, I followed them down a rickety wooden ladder poking out of a hole in the ground. The atmosphere inside the cave was thick with burning sage combined with swirling dust from the pounding feet of men dancing, their heads hidden inside huge masks. Barefooted women and children squatted on the dirt floor and I felt very much an intruder as I squeezed myself amongst them. But, reassured by friendly smiles and head-nodding, I began to relax, absorbing the magical rituals of times past. Eventually the ancient ceremony ended, and I climbed the ladder back into the twentieth century, overcome by a newfound sense of humility and realisation of just how unimportant the wealth and material greed of Western society is. One can often rely on the unexpected to occur when travelling. During a visit to Egypt one year, our group emerged from the Temple of Isis to settle down and meditate on the bank of a nearby river when a military policeman appeared out of the bushes, clutching a large submachine gun. His other hand appeared to conceal something behind his back and as he drew closer, we noticed he had a second gun tucked into his belt. Terrified, we leapt to our feet. Then, his face breaking into a smile, he held out the hand from behind his back. Lying in its brown sinewy palm were eleven pink oleander blossoms, one for each of us. A moment of sheer terror switched instantly to one of absolute delight. Another example of ‘the unexpected’ occurred a few days later for a member of our group who had just turned eighty. All her life she had suffered with claustrophobia and its related anxiety and panic attacks. Consequently, when we visited the Great Pyramid to ascend the steep tunnel inside which would take us up to the King’s Chamber, we arranged for her to remain outside with our tour guide. But at the last minute she changed her mind, not wanting to miss out on such a special experience. By slowly crawling through the tunnel all the way up inside the Great Pyramid, she managed to achieve something she had never in her life believed possible. We celebrated her victory that night with champagne, lots of laughs and some hilarious attempts at belly dancing. A travel memory that always makes my grandchildren laugh is when I was visiting my friend Palden Jenkins, an historian who lives in Glastonbury. One day we set off for Snowdonia, North Wales, for a holiday. As we pulled up outside the 500-year-old stone cottage a farmer approached, urging us to be sure to leave a pot of tea outside every night for the Booka, the name given to Welsh brownies or elves. If we did this, he said, we would be assured of a hassle-free holiday. The Booka would not trouble us if we kept the cottage clean, left out the tea and didn’t have long noses. Words cannot describe the fun we two ‘grown-ups’ had in brewing tea every evening over an open fire to cater to the whims of Snowdonia’s faerie folk. Travelling the world can create change in our lives that we will never regret, opening our hearts, broadening our minds, and sometimes transforming our lives forever. To quote Mark Twain, ‘Twenty years from now you will be more disappointed by the things you did not do than by the ones you did. So, sail away from the safe harbour. Explore. Dream. Discover.’ This wonderful story, including the images, was sent in by Over60 Reader Jo Buchanan. Thank you, Jo, for sharing your adventure with us! If you have a Reader Story you would like to contribute to Over60, please send it to the editor via <a href="mailto:greg@oversixty.com.au" target="_blank" rel="noopener">greg@oversixty.com.au</a>.

International Travel

Your choice of holiday destination is a political act

<a href="https://theconversation.com/profiles/brendan-canavan-228682">Brendan Canavan</a>, <a href="https://theconversation.com/institutions/university-of-huddersfield-1226">University of Huddersfield</a> <a href="https://www.youtube.com/watch?v=OCDd7hl3tLw">Tickets, money, passports!</a> We all know what to check for during that last minute packing panic. But preparing for your holidays is about more than what you squeeze into your suitcase. It is about making a political choice. Tourism is an industry tied up with national and international politics like no other. Tourists are a source of foreign exchange, governments promote themselves through visitors, and politicians quite often worry about the social freedom that tourism can nurture. For these reasons tourists are both courted and scapegoated. At the most basic level tourism counts as an export industry. It is a source of foreign currency and can help to prop up a nation financially. However, local people often see few of the benefits of hosting tourists. Large organisations tend to control much of the tourism industry. These frequently pay little in the way of <a href="https://www.taxjustice.net/2015/11/09/guest-blog-sun-sea-sand-tourism-and-fantasy-finance/">local taxes</a>. Meanwhile local people shoulder much of the burden of sharing their space and facilities with visitors. Some <a href="https://www.tandfonline.com/doi/full/10.1080/09669582.2016.1206112">indigenous people</a> have asked foreign tourists to stay away. They have argued that tourism is threatening their culture, damaging their land’s ecosystems, and is a form of colonialism. In <a href="http://files.hawaii.gov/dbedt/visitor/sustainable-tourism-project/drafts/Native-Hawaiian-Impact-Report.pdf">Hawaii</a>, attempts are being made to reconcile some of the issues arising from the tourism industry over-exploiting an open and hospitable native culture. Where you spend your holiday money therefore contributes to legitimising particular politicians and their policies. However, tourists don’t just bring money into a destination. They also bring social and cultural inputs. Tourism has been associated with liberalising social values, empowering minorities, and even spreading democracy. In Spain, for example, the growth of tourism, initiated under the dictator, Francisco Franco, as a means of propping up an ailing economy, has been suggested as helping to usher in democratic change. Hosts and guests <a href="https://www.sciencedirect.com/science/article/pii/S0261517715300224">exchange observations and ideas</a>. They form relationships. And they stimulate <a href="https://www.sciencedirect.com/science/article/pii/S0261517705000865">mutual creativity</a>. It is only in the past 20 years that China began to allow its people to <a href="https://www.theguardian.com/commentisfree/2017/aug/05/only-governments-can-stem-tide-of-tourism-sweeping-the-globe">freely travel abroad</a> after decades of forced isolation. Politicians are frequently fearful of the subversive ideas and awkward questions that travellers might bring back with them. A residual mistrust of tourists can see them scapegoated by politicians looking to place convenient blame. <a href="http://web.mit.edu/11.951/oldstuff/albacete/Course%20Reader/Culture%20and%20History/Tremlett%202006%20Chapter%204.pdf">In Barcelona</a>, a city dependent on tourism for its late 20th-century revival, tourists are being made increasingly unwelcome. They are blamed for increasing costs of living for residents, rather than the broader challenges of inequality and financial stagnation that raise uncomfortable questions about local political capacity. <h2>Image control</h2> Tourism is also a way for governments to assert their ideologies – internally and externally. Visitors to <a href="https://www.tripadvisor.co.uk/Attraction_Review-g147271-d147980-Reviews-Museum_of_the_Revolution_Museo_de_la_Revolucion-Havana_Ciudad_de_la_Habana_Provinc.html">Cuba</a> for example, can visit the Museum of the Revolution, reportedly one of the top things to do in Havana. Research has shown that the exhibits <a href="https://www.sciencedirect.com/science/article/pii/S0160738399001152">sold as heritage</a> to tourists prioritise certain specific stories and can silence others. Over time the official narrative becomes established and other perspectives may be forgotten. <a href="https://historicengland.org.uk/whats-new/news/england-queer-history-recognised-recorded-celebrated">Historic England</a> has, for example, recently begun to try and include the often overlooked queer history of many heritage sites. Meanwhile tourism can be a means of raising and modifying a country’s image on the world stage. Israel has for many years used gay tourism to soften its international image by making the country seem progressive in a part of the world which generally is not. Dubai has established itself in the same region as a deluxe playground filled with sights and indulgence like nowhere else. However, the commitments of both of these destination’s governments to the touristic image they sell is debateable. LGBTQ people in Israel recently had restrictions placed upon their <a href="https://www.newsweek.com/protests-erupt-israel-lgbt-surrogacy-law-approved-1034931">right to surrogacy</a> by their parliament. Meanwhile Dubai is well known for its cases of people facing severe judicial sentences for acts as innocuous as accidentally <a href="https://www.theguardian.com/world/2017/oct/22/briton-jailed-for-three-months-in-dubai-for-touching-mans-hip">brushing another man’s bum</a>. <h2>Having a better holiday</h2> On the one hand the image sold to tourists is often not the same as the reality faced by like-minded people living within a country. On the other, tourists may themselves be expected to conform to regulations they would not agree with or accept back home. The power of tourism is not lost on political actors. Recently the Chinese government successfully put <a href="https://theconversation.com/taiwan-how-airlines-are-being-dragged-into-chinas-bitter-dispute-over-the-islands-sovereignty-100932">pressure on international airlines</a> to stop referring to Taiwan as a country or face retaliation. Tourists should not leave it up to politicians to exploit their desire for exploration for self-interested purposes. We need to appreciate our power as consumers; supporting destinations that celebrate tourism as a means of mutually rewarding host-guest exchanges and boycotting those which do not. Tourists have a lot of potential influence. They should use it to hold politicians to account. So there are a few things to consider when planning your holiday. Find out whether your travel provider committed to investing in local taxes, jobs and suppliers. Research the attitudes of local residents towards tourism beforehand in order that you can be a better guest. Bring back more than a nice tan by swapping ideas, stories and phone numbers. Check the public image of a destination matches its private one and don’t support hypocrites. And finally, be aware of politicians using tourism to bully those with whom they don’t agree – and be prepared to call them out.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/100846/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/brendan-canavan-228682">Brendan Canavan</a>, Senior Lecturer in Marketing, <a href="https://theconversation.com/institutions/university-of-huddersfield-1226">University of Huddersfield</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/your-choice-of-holiday-destination-is-a-political-act-100846">original article</a>.

International Travel

Readers Respond: What is something you miss about pre-internet times?

Times are changing and in an increasingly digital world, there are a few things that just don't feel the same. We asked our readers what they missed the most about the pre-internet times and while some shared their nostalgia, others believe that the change is for the better. Jeanie Houston - The joy of getting a letter from loved ones overseas. Tina Karanastasis - Having pen pals (a fad in my younger years), writing and receiving handwritten letters, building relationships through shared moments and time spent together face to face. Deirdre Hudson - Being able to go anywhere without someone calling you Lois Parkes - Going to a library to research the answer Gini Glenn - Nothing! I love the internet and mobile phones. You can always leave your phone at home or turn it off. Lovely to have choices. Teresa Hamilton Gross - Having a conversation with someone who is not looking at their cell phone. Jan Gundersen - Being out at a restaurant & talking to each other! Don Gregor - Getting lost while driving/traveling. Met the most interesting people and had the most memorable times. Ann Hazlewood - Sitting around talking to family Ellen Clarke - Sitting around the kitchen table & everyone talking at once, miss it! Christine Armstrong - Letters! I miss getting letters from friends and family in the mail box Beverley Collison - Listening to stories of the older generation when I was younger. And telephone conversations. Did we miss anything? Let us know if there are other things that you miss from the pre-internet times!

Retirement Life

Readers respond: What did your mum or dad make for dinner growing up that you haven't had in ages?

Sometimes love and affection comes in the form of food, especially when it’s made by our parents. As we grow older and start our own lives we begin to miss the things we got used to as we grow up, especially the food our parents made. Here are some dishes our Over60 readers grew up with that they miss dearly. Keralie Stack - Mums apple pie, lemon meringue pie. Beautiful meat and kidney pies. Roasted meat in winter cooked in the fuel stove , along with a big pot of pea and ham soup in winter, followed with damper and scones for dinner Peter Lord - Mums meat and potato pie! I’ve made it and it’s not bad but it’s nowhere near as good as mum’s! Lee Pavey - A big roast dinner with roast veges & gravy made with the juices of the meat. Jenny Yaun - In my young 8 years old Living in Indonesia I loved Mum's Nasi Goreng made with tin corn beef, I still make now and again. I'm Dutch/Australian Marie Manson - Dads fabulous vege soup.. Dawn Holmes - Triple and onions!!! Can't say I miss it but they liked it!! But then mum was a great home cook with her baked goods and tasty soups and stews!! Jennifer Sabatino - Shepherd’s Pie made with leftover lamb from the Sunday roast and apple sponge (apples with the sponge baked on top), baked custard, baked rice custard and bread & butter pudding. Kathy Bloor - Mince on toast. I have never made it for myself and I am 70 Keith Carter - I haven't had PLOT TOFFEE FOR 65 years. Just got the recipe from my 86 yo sister. So now thats the go. Lorna Turner Prunes - and custard. I still cook all the foods my mum and dad cooked except for prunes and custard.

Food & Wine

Free tickets to The Miracle Club for Over60 readers!

Join us for a special advance preview of The Miracle Club! Starring Academy Award winners Maggie Smith and Kathy Bates, Academy Award nominee Laura Linney, and rising talent Agnes O'Casey, The Miracle Club is a heartwarming, hilarious film that celebrates the power of friendship, love and laughter. "The stories of these women reminds us that we are only as strong as the friends and family who stand by us,” says Jarod Neece, Senior Programmer at the Tribeca Film Festival. <iframe title="YouTube video player" src="https://www.youtube.com/embed/Gp3ZFdklPCk" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe> The film is set in Ballyfermot, Ireland, 1960. A hard-knocks community in outer Dublin that marches to its own beat, rooted in traditions of loyalty, faith and togetherness. There's just one tantalising dream for the women of Ballyfermot to taste freedom and escape the gauntlet of domestic life: to win a pilgrimage to the sacred French town of Lourdes. And with a little benevolent interference from their cheeky and rebellious priest, close friends Lily, Eileen, Dolly and Sheila are the 'lucky' few to win this ticket of a lifetime at their riotous local raffle night. As a special offer to Over60 Readers, <a href="https://www.weticketit.com/showfilmfirstau/booking/Event/detail/JRD10963" target="_blank" rel="noopener">simply click the link to RSVP</a> and download your free double pass to the film. But hurry – seats are limited, so it really is first in, best dressed. Enjoy! <a href="https://www.weticketit.com/showfilmfirstau/booking/Event/detail/JRD10963" target="_blank" rel="noopener"><img src="https://oversixtydev.blob.core.windows.net/media/2023/06/MiracleClub_HERO.jpg" alt="" width="1280" height="720" /></a>

Movies

Readers respond: What was the most disappointing movie you paid to see?

There’s nothing worse than being hyped about a movie and paying for it, only to be disappointed. We asked the Over60 readers about the most disappointing movies they paid to see, and some were so bad they sent our readers to sleep. Lynne Formby - Apocalypse Now. Dreadful movie. Only went because my husband wanted to see it and he slept through the whole movie. Colleen Burgess - The Great Gatsby. Baz Luhrmanns version. Only movie I’ve ever walked out of. David Oldfield Nettleton - La la land. Most over hyped movie ever. Also, a long time ago, Summer Holiday with Cliff Richard. I walked! Lorraine Neasey-Dodd - Jaws at the drive in, I went to sleep lol Jeannette Wylie - The Hustler, I walked out and left my boyfriend at the time to watch the rest by himself! Linda Hopkins - Lala Land Jennifer Sabatino - Fantasia, at the drive-in. Kids were leaving the cars to play in the playground, people were going to the kiosk to buy snacks out of boredom and then cars started leaving, including us. Glenis Stevenson - Clockwork Orange. David Briggs - Moment by Moment with Lily Tomlin and John Travolta. It’s the only movie I’ve ever walked out of. Susan Clare - Starship Troopers, I left my husband to finish watching it half way through. Val Goodwin - Picnic at Hanging Rock, the most boring movie ever Mardi Sloan - Walked out of War of the Worlds starring Tom Cruise. Image: Getty

Movies

Readers respond: What was the first country you ever travelled to?

Everyone remembers the butterflies and excitement of travelling to another country for the first time. For many, the first trip overseas is unforgettable, because you are exploring another part of the world that is different from home. We’ve asked our readers about the first country they ever travelled to and the responses are diverse. Here’s what they said. Anita Thornton - Nigeria, in 1956, I was seven. Dad worked there and we joined him. So many wonderful memories. MarilyneJames Kelly - Went to the U.S. to Disneyland when I was 16. Ruth Jean Jennings - New Zealand ......and keep going back despite having travelled to heaps of other places!!! Susan Moldrich - Sri Lanka. I loved it so much I've been back nearly every year. Audrey Jones - To New Zealand from England. Mum. Dad and us 6 kids came by boat on 9th July 1954. Travelled back and around the world many times. Hilary Mole - By car and ferry, France, Switzerland and Italy 1960. By plane, Holland in 1965. Frances Nelson - Portuguese Timor. We drove Sydney to Darwin where we caught a small TAA plane to Dili. The only other tourist we met was a chap from Mozambique. Wonderful experience. Mindy Brown - Okinawa via Japan. My husband was stationed there in late 1960's Diane WillmoreHunsbedt - England when I was 7 my mom was a war bride and went to see her family Jenny Champness - Uganda from Australia with my sisters and parents for my dads new job. Amanda Onder - Italy, first of three trips there as a child. Pamela Tow - Papua New Guinea, where I worked in Goroka for a year. Beryl Hamblin - France Image: Getty Images

International Travel

Readers respond: What's a song that is so beautiful it makes you cry?

It doesn't take much for music to make you move, but music that moves you to the point of tears is something special. We asked our readers which songs they find so beautiful that it touches a part of their soul and brings them to tears. Here are some of our favourite responses that, and a list of songs you could add to your playlist. Mary Therese Apostol - Unchained Melody from the film Ghosts... always brings me to tears. Also Always on my Mind brings back beautiful memories of a very loved person. Susan Buntin - Mike and the Mechanics song called The Living Years as I wasn’t there for my parents passing. Pat Sayers - "I'll take you home again Kathleen". One of my mother's favorites to sing, she had a good voice. It is not heard at all these days, but I cry even when I sing it, remembering her. Suzie Justinic - “If I can dream” by Elvis Presley. Very powerful song. Cry every time I hear it. Debbie Costelloe - Goodbye my friend by Linda Ronstad,it holds memories of my loved ones Kate Gregg - Fields of Athernrye Janine Sarai George - Outside when a full band of bagpipes plays a certain song, Danny Boy, Flowers of Scotland it can be magic. Chrissy Soldi - Nothing else matters by Metallica it was played at my son’s funeral still brings tears to my eyes. Annie MacCormack - ‘Sailing’ by Rod Stewart. We played it at my mum’s funeral. I cry every time I hear it. Nita Kennedy - "You raised me up" the CD was given to me on mother's day by my daughters with instructions to listen to the words because they reflected how they thought of me ... I did and I cried ..... Linda Misarz - If I can dream, by Elvis. Very powerful message. Barbara Bergen - Beautiful Dreamer by Roy Orbison Joyce Nickson - Imagine! John Lennon.

Music

Wes Anderson has an obsessive, systematic repetition of stylistic choices. He’s perfect for this TikTok meme

<a href="https://theconversation.com/profiles/alex-munt-1380279">Alex Munt</a>, <a href="https://theconversation.com/institutions/university-of-technology-sydney-936">University of Technology Sydney</a> Iconoclastic film director Wes Anderson <a href="https://www.youtube.com/watch?v=Sdt0oam6O1o">says of his films</a>: <blockquote> I always feel like any character from one of my movies could walk into another one of the movies and be at home there. </blockquote> With the premiere of <a href="https://www.youtube.com/watch?v=9FXCSXuGTF4">Asteroid City</a> at the 2023 Cannes Film Festival next week, fans have been doing just that – walking themselves into faux Anderson movies. TikTokers are creatively “Wes-Andersonifying” their everyday lives: <a href="https://www.tiktok.com/@keithafadi/video/7221582114880294150">at lunch</a>, <a href="https://www.tiktok.com/@taramilktea/video/7226286920093977857?q=wes%20anderson%20challenge&t=1683337148719">at the hotel pool</a> or <a href="https://www.tiktok.com/@hilakleinh3/video/7225644281799691563?q=wes%20anderson%20challenge&t=1683337148719">at the bookstore</a>. The TikToks are all set to a score by Alexandre Desplat from The French Dispatch (2021). <iframe id="tc-infographic-855" class="tc-infographic" style="border: none;" src="https://cdn.theconversation.com/infographics/855/b970b886fa15cd22f469e5441d15262ddaa1d2c8/site/index.html" width="100%" height="400px" frameborder="0"></iframe> It’s fun to see Anderson’s film style rolled out across diverse cultural and geographic borders. This syncs with the filmmaker’s affinity for global cinema. He draws inspiration from the films of Yasujirō Ozu, Satyajit Ray, Jean Renoir, Jean-Luc Godard, Francois Truffaut and Jacques Rivette – to name just a few. For Tiktok’s Anderson fans, here’s a “<a href="https://www.tiktok.com/@andyyongfilms/video/7227440401572039938">How To</a>” by @andyyongfilms which shows a recipe for the film style: a title card (Futura font, with typewriter effect), symmetrical compositions, bright coloured or pastel outfits, retro props, an overhead shot plus a “<a href="https://www.studiobinder.com/blog/swish-pan-whip-pan-definition-film/">whip-pan</a>” camera movement. A few of the TikToks are highly polished, clearly from creators with a film education, such as <a href="https://www.tiktok.com/@qmike/video/7223410519741418757">The British Dispatch</a>. <iframe id="tc-infographic-856" class="tc-infographic" style="border: none;" src="https://cdn.theconversation.com/infographics/856/3ed36e627f542ded4bb2f6244eb11b5a4b4a1626/site/index.html" width="100%" height="400px" frameborder="0"></iframe> <h2>Reimagining a film style</h2> The Anderson-inspired TikToks are playful ruminations on the question of “film style” today. Stanley Kubrick once said a film director is a “<a href="https://craigberry93.medium.com/stanley-kubrick-at-the-design-museum-4e79b3c11af9">taste machine</a>”, which Anderson revels in to excess. Symmetry within the frame is perhaps the most obvious element of the Anderson film style and one easy to replicate in the TikToks. With an obsessive devotion to staging scenes in symmetry, Anderson breaks the “<a href="https://www.studiobinder.com/blog/what-is-the-rule-of-thirds/">rule of thirds</a>” for visual composition. In contrast, he pins his actors dead centre as shown in this <a href="https://vimeo.com/89302848">video essay</a> by Kogonada. <figure><iframe src="https://player.vimeo.com/video/89302848" width="500" height="281" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> Working with his regular cinematographer Robert Yeoman, Anderson uses planar compositions to create graphic cinema which shares an affinity with illustration and painting. His “planar” approach to staging means the camera remains perpendicular to the subject, which the rapid whip-pan camera movements maintain within a shot. Anderson stages his actors across the frame – like garments on a clothesline – and in depth. You can see this in the image from Asteroid City above. This staging style is a departure from the mainstream visual style of film and television today which situates the camera at oblique angles to the actors, enhancing the layers of foreground, midground and background – closer to the way we see and experience the world. <iframe id="tc-infographic-857" class="tc-infographic" style="border: none;" src="https://cdn.theconversation.com/infographics/857/4a449631c65d123c2342e08df14cd09f3b6d79a4/site/index.html" width="100%" height="400px" frameborder="0"></iframe> In contrast, Anderson’s approach calls out the artificiality of cinema. He recalls historical film styles from early cinema theatricality to the pop-art cinema of the late 1960s, for example in the films of the late Jean-Luc Godard. Colour is another aspect of Wes Anderson’s visual style, which spills across the TikToks. Like a handful of directors today, he still shoots on film (16mm and 35mm) but now uses digital tools to <a href="https://musicbed.com/articles/filmmaking/cinematography/robert-yeoman-asc-on-shooting-wes-andersons-the-french-dispatch">grade the colour</a> of the images. The Euro-pastels from The Grand Budapest Hotel resurface in American shades for Asteroid City. <iframe id="tc-infographic-858" class="tc-infographic" style="border: none;" src="https://cdn.theconversation.com/infographics/858/d333cb73c1d0b0fdb4ca1f8d48313a013754f2ec/site/index.html" width="100%" height="400px" frameborder="0"></iframe> <h2>Where to next?</h2> As a system in and of itself, the film style of Anderson is ripe for TikTok due to its boldness, clarity and repetition of techniques. Film style operates at the level of the shot. We might recall signature shots such as Hitchcock’s “vertigo effect” (where the camera lens zooms into a subject as the camera moves away), Scorsese’s tracking shots, Nolan’s close-up shots of hands or Tarantino’s point-of-view shots from inside a car boot. But these are isolated shots rather than Anderson’s obsessive, systematic repetition of stylistic choices within each film and across his oeuvre. On TikTok some shots are easier to craft that others, as @astonmartinf1 details in his <a href="https://www.tiktok.com/@jllacar/video/7226811816553270571?q=wes%20anderson%20challenge&t=1683337148719">analysis</a> of the Wes Anderson Trend, noting the omission of camera movement in many of the videos which is a defining aspect of his film style proper. <iframe id="tc-infographic-859" class="tc-infographic" style="border: none;" src="https://cdn.theconversation.com/infographics/859/f9767494a7a94dd0475e121fc36513afcc110279/site/index.html" width="100%" height="400px" frameborder="0"></iframe> In filmmaking, moving the camera is often expensive, separating the amateur from the professional. Anderson’s tracking shots are only feasible within an industrial filmmaking process. While the TikToks may be highly creative, they are made with slim resources a world away from the film budgets of Anderson, who enjoys Medici-like support <a href="https://www.washingtonpost.com/news/reliable-source/wp/2015/01/23/mysterious-d-c-mogul-steve-rales-is-behind-oscar-nominated-pic/">from US billionaire Steven Rales</a>. Saying this, there are other aspects of the Wes Anderson style the TikToks could hijack on a budget, such as playfulness with the image aspect ratio and slow-motion photography. Aspect ratio is the relationship between the width and height of an image. TikTok is 9:16, an inverted ratio to our widescreen TVs. As part of his film style, Anderson uses the Classical Hollywood ratio of 4:3 seen in <a href="https://youtu.be/dvubfl-qeC8">The French Dispatch</a>. Both ratios are designed for people (all those selfies) over landscapes, so creative opportunities here for TikTokers. <figure><iframe src="https://www.youtube.com/embed/dvubfl-qeC8?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> Anderson is also a fan of <a href="https://www.youtube.com/watch?v=yRGqeHIItY8">slow-motion</a> to accentuate key dramatic moments in his films. Today’s smartphones shoot “slo-mo” well, and using TikTok and other basic editing apps the user can apply speed effects to their footage. <figure><iframe src="https://www.youtube.com/embed/yRGqeHIItY8?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> And as generative AI representations of film style wash across social media there’s a new set of questions altogether. Here’s <a href="https://www.instagram.com/p/CqxBkJnvPRa/?igshid=MDJmNzVkMjY%3D">Harry Potter as directed by Wes Anderson</a> created by @panoramachannel with AI software Midjourney. But that’s another conversation. <a href="https://theconversation.com/profiles/alex-munt-1380279">Alex Munt</a>, Associate Professor, Media Arts & Production, <a href="https://theconversation.com/institutions/university-of-technology-sydney-936">University of Technology Sydney</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/wes-anderson-has-an-obsessive-systematic-repetition-of-stylistic-choices-hes-perfect-for-this-tiktok-meme-204803">original article</a>. Images: Searchlight Pictures

Movies

Readers respond: What film do you think is a cinematic masterpiece and why?

With hundreds of new movies coming out each and every year, it takes a real standout to capture hearts and captivate minds, rising above the rest to claim the title of masterpiece. We all have those movies we pick up time and time again, placing them on a pedestal high above all others, eagerly telling anyone who’ll listen “no, this is the best one!” So, we asked our readers which ones they consider to be a cinematic masterpiece, and the variety of enthusiastic responses certainly make for quite the weekend watchlist! Here’s what they came up with: Nika Muir - Children of a lesser God (1986), a credit to bring awareness to the world of deaf people. A drama/romance. Paul Clissold - 2001: A Space Odyssey. In my view, still the best space movie ever - minimalist approach, fitting music and superb visual effects considering the technology at the time. Gary Sturdy - One Flew Over the Cuckoo's Nest. Margie Buckingham - The Piano - beautiful, strong imagery reflecting the sentiment of the deep messaging. Bo Whitten - Empress Ki (Korean). Brilliant in every way! Epic historic masterpiece. Brilliant setting, costume, story line, acting, sound track. Gail Brewer - Gone with the Wind, back then they didn't have computer technology etc. Evie-and Keith Brown - Out of Africa, amazing scenery, true story, Meryl Streep, Robert Redford, SO WONDERFUL, acting is superb. Sandy Rogers - Star Wars - best ever, [the] whole cinema stamping their feet at the end does it for me. Paul Davis - Monty Python and the Holy Grail. Janette Blake - Titanic. Great movie. Hentie Jacobs - Avatar … the overall using of colour and storyline is excellent … imagination at its best … there are so many more … Bambi also comes to mind. Rosanna Every - Ben Hur! As a child, the first time I saw God! Beverley Murphy - Dances with Wolves. The scenery & music is magical. Leslie Clinch - Easy Rider … rebellious ... but nonaggressive … striking a chord with views of the sixties … and great music from Dennis Hopper’s personal vinyl collection … plus I love The Sound of Music with Christopher Plummer and Julie Andrews … there are so many great movies. Peter Saunders - The Shawshank Redemption / The Green Mile. Chris Martin - Dr Shivago … music, scenery, and a great love story. Valerie Discombe - Pretty Woman. Because I wanted to put myself in Julia Roberts place. Richard Gere is my idol. Sue Young - Yankee Doodle Dandy. The tap dancing was just great & James Carney was awesome!!!! Images: Getty

Movies

Readers respond: What was the first ever album you bought?

Everyone has that early album that made them fall in love with music and changed who they are. For many, the first album you buy stays one of your favourite records throughout your life, because the hits you love never truly grow old. We asked our readers what the first album they bought was, and the response was overwhelming. Here's what they said. Diane Brown - Carol King's Tapestry and Rod Stewart's Every Picture Tells a Story. Kerrie Ross - Sound of Music 33rpm I was in Primary School. Julie Ennor - The Beatles, Hard Days Night. Wilma Bill Towells - Soundtrack to My Fair Lady, probably 70 years ago. Suzanne Jones - ABBA! It was a birthday gift along with my first turn table. Carol Anderson - Joe Cocker, the album. Loved him ever since 1972, and I have seen him live many times. Josephine Cray - Get Yer Ya-Yas Out, by the Rolling Stones. Still their best! Annie Barry - Best of 1969. l was 12 and my Mum got it for my Christmas present. Mandy Goldsworthy - Let It Be by The Beatles for Christmas in 1971. Ann Drobnic - Roy Orbison's Greatest Hits. Kaye Hillary - The best of Janis Joplin Sharon White - Soundtrack to Oliver followed closely by Diana Ross and Marvin Gaye. Christine Mulhall - The Righteous Bros Greatest Hits. Marilyn Atkinson - Atlantic's Bombora, still have it! Phill Johnston - Teaser and the Firecat by Cat Stevens. Deni Symington - Schools Out, by Alice Cooper. Sue Crofts - The Rolling Stones - title of the first album they did. 1964. Glen Crawford - I bought 2 with my first pay in February 1966. Most of The Animals and The Rolling Stones Big Hits High Tide and Green Grass. Christine Stanway - Sergeant Pepper’s in February 1970 with my first pay check. Jan Franklyn - Singing the Blues by Guy Mitchell. An old 78 record and still have it. Image credits: Getty Images

Music

Our Partners

Over 60

News

Shop

Catalogues

Newspaper

Contests

Entertainment

Travel

Health

Lifestyle

Finance

Property

Compare

Games

Information

Keep up to date

Search

Stay or go? Most older Australians want to retire where they are, but renters don’t always get a choice

Why we need to stop being so judgemental – and the 4 steps to do it

Debate erupts over groom's unconventional footwear choice